Ebook The International Style, by Henry Russell Hitchcock
Ebook The International Style, by Henry Russell Hitchcock
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The International Style, by Henry Russell Hitchcock
Ebook The International Style, by Henry Russell Hitchcock
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From the Back Cover
This book is a landmark in American history, and a unique and historical document which should provide general readers, critics, and historians with a time machine through which to view our changing perspective on modern architecture.
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Product details
Paperback: 272 pages
Publisher: W. W. Norton & Company; Revised ed. edition (February 17, 1997)
Language: English
ISBN-10: 0393315185
ISBN-13: 978-0393315189
Product Dimensions:
6.1 x 0.8 x 8.3 inches
Shipping Weight: 15.4 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#481,572 in Books (See Top 100 in Books)
The International Style is critical read because of its style's importance to architectural history. However, the two authors are extremely biased and overaggressive in their descriptions.
As always, Hitchcock is a captivating and insightful writer of architecture. Very good reading for an American centric perspective on how European modernism was re-packaged and made presentable to American sensibilities (the pragmatist vs. the political). Interesting that Wright is excluded from the 'group' yet the Euros of the day acknowledge his influence in development of their ideas.Also really good follow-up articles in the Feb 1982 issue of Progressive Architecture.
Satisfied
Must have primary text
good book
A classic book
This is a book for anyone interested in modern architecture. A must have for any student regardless of professional interest.
The most interesting aspect of the new edition is the recent forward by Philip Johnson (1995). In it he humorously describes his relationship with "The International Style," and how dated the book now appears. He also notes that it was Alfred Barr who introduced Hitchcock and him to this new world of architecture. It was Barr who had written extensively on the subject and dubbed it an "International Style."Not surprisingly, nearly all the buildings included in this catalog for the 1932 MoMA exhibit date from 1927. This was a pivotal year in the Modern Movement. Le Corbusier's "Toward a New Architecture" first appeared in English. The new improved Bauhaus opened its doors in Dessau, in Gropius' newly constructed complex. The International Competition for the League of Nations building was held with Le Corbusier losing out on a technicality. A building exhibition, laid out by Mies van der Rohe, was sponsored by the Deutscher Werkbund in Stuttgart. Modern Architecture had come of age.The selections are interesting for their range of architects but have several notable omissions. Among them Rudolf Schindler, who dismissed the idea of an "International Style," in a letter to Johnson. Modern architects then and now hate the idea of a "style," believing their works to be based on a set of constructive and compositional principles which transcend the notion of style.Nevertheless, the name stuck. Hitchcock and Johnson are widely credited for bringing the International Style to America, even though some early works by Neutra, Hood, Howe and Lescaze were included in the exhibition. Most importantly, Johnson lured Mies to America, where he would achieve his most lofty aspirations. The book makes for an interesting read but has long been superceded by more insightful and penetrating books on the subject.
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